Sunday Stills | Issue 52 Sunday, November 29, 2015 | |
Photograph by George Shiras | Photography pioneer George Shiras grew up in the late 19th century as a hunting enthusiast. His abiding love of wildlife led him to a new way of interacting with the natural world when hunting was out of season. Rather than taking to the woods with weapons and traps, he used his camera, kerosene lamps, and flash powder, becoming the first photographer to capture the luminous beauty of animals at night. | |
Photograph by Brian Finke | The next time you bring a morsel of food to your mouth, consider this: Our enjoyment of—or aversion to—certain foods is way more complex than the taste buds on our tongues. Our experience is a carefully choreographed dance in our brain of memory, movement, sights, smells, and sounds, the mechanics of which scientists are just beginning to understand. | |
The Shaolin Kung Fu Academy in Dengfeng, China, trains thousands of youths in the Chinese martial arts and is the largest school of its kind. A filmmaker and a DJ team up to create a fast-moving look at these young masters in action. | | |
Photograph by Ciril Jazbec | Rigonce, Slovenia—a town with a population of 176—played temporary host last month to tens of thousands of refugees making the arduous journey through Europe from Syria, Iraq, Afghanistan, and Pakistan. For the residents of this small town, this mass influx was unlike anything they had ever seen. What is it like to be living a quiet, bucolic existence one day, only to come face-to-face with an estimated 70,000 migrants the next? Visual journalist and Slovenian native Ciril Jazbec was there to document the moment. | | |
Photograph by Justin Carrasquillo, National Geographic Your Shot | What is your definition of a “great landscape?” Is it campy or classic? Intimate or epic? Your Shot editors are busy looking through photographs submitted to the #greatestlandscapes hashtag challenge, and will be choosing their favorite image to be published in a National Geographic photo book next fall. | | |
Photograph by Smith Neuvieme | “With photography, a message can be passed without words.” —Wilky Douze
Haiti is often photographed by outsiders—journalists documenting disaster and struggle. Nonprofit organization Fotokonbit empowered Haitian youths and adults to take control of the outside perception of a country in crisis by turning the lens on their own lives and communities. What emerges is a portrait of place resonating with beauty, possibility, and pride. | |
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