The digital cinema camera is the modern-day iteration of the traditional film production camera. These cameras aim to reproduce the latitude and tonal qualities of celluloid while eliminating huge portions of the typical film workflow. Determining the best cinema cameras on the market today can be complicated.
Now, in addition to these workflow advantages, the image quality produced by today's cinema cameras often meets or exceeds what is possible when shooting on film. And that's not to mention the increase in creative control you get from shooting in a digital format.
At the end of this article, we'll go over some of the special considerations unique to this form factor. But first, here's our list of the best cinema cameras on the market today.
In this video, we'll show you how to create amazing videos with studio lighting. You'll learn how to choose the right lamp type, fixture type and lighting setup for your video project. You'll also see how to create different moods and atmospheres with studio lighting. Watch and learn! Watch now.
Whether you're interested in learning a new skill or want to bring your own artistic vision to life, you can likely find a how-to video for it online. Or, if you have a useful or crafty skill, you can make your own how-to video to share with the world. It's a fun way to engage with your audience or collaborate with other creators. It's also a good starting point if you're just beginning a channel of your own. Read more.
Accurate color, contrast and luminance is a priority for any video professional. However, it's a common misconception that the final display screen provides the best way to judge the quality of a video. Although this point of reference is of the utmost importance, it's also deceptive. In short, the color and luminance of an image might look good on one screen but incorrect on another. All in all, you can't judge the quality of a video by how it appears on a single screen. That's a highly subjective process. In addition, the human brain naturally color corrects images for us, deceiving us into seeing what colors should look like.
Regardless of your niche market, chances are your audience will view your video on a variety of screens. Moreover, each of these devices will vary in the way they interpret and display image qualities. This includes the independent filmmaker using color as a narrative device and the documentary filmmaker or journalist who is shooting video in diverse lighting situations. Also, let's not forget the corporate or event videographer whose paying client requires an accurate recording of the event they hope to share.
Fortunately, waveform monitors and vectorscopes are objective. These tools can feel like an odd way to view an image, but they accurately display precise color and luminance values. This information is critical for consistently delivering a high-quality video product and is an important tool in video editing. Read more.
OpenAIannounced DALL-E 3. DALL-E 3 is the latest iteration of its advanced image generation tool, which now offers improved integration with ChatGPT.
Getty Images doubled down on its decision not to accept AI-generated content. So much so that Getty Images won't accept even AI-generated images from Adobe Firefly's generative AI tools.
Tamronrevealed more details about its Tamron 17-50mm F4 Di III VXD lens. This affordable lens will be available next month.
TTArtisan unveiled its new TTArtisan 500mm f/6.3 telephoto lens. It's a manual-focus lens for E, L, RF and Z Mount.
The Federal Aviation Administration extended the enforcement deadline for Remote ID. The delay aims to give drone operators facing issues obtaining the required remote identification broadcast modules more time.
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