If you've ever wondered what cameras are behind your favorite movies and TV shows, chances are it's either a RED or an ARRI. Both are top choices for cinematographers across the industry. But which one is better? ARRI is the first choice for many Hollywood filmmakers, and RED dominates many TV shows and independent productions. But, there are some key differences that set them apart. Let's pit them against each other — RED vs. ARRI — to discuss what those differences are and determine which offers the better library of cinema cameras.
Proper lighting goes a long way towards selling your project to viewers. Dynamic lighting allows your visuals to tell a visually captivating story, elevating your production to an entirely new level. A great way to do this is through lighting gels. Read more.
Over the past few years, YouTube has implemented strict measures to address what the video-sharing giant terms "egregious actions." With approximately 2.70 billion monthly active users, according to data from DemandSage, YouTube continues to tackle policy violations with increased vigilance and scrutiny. Unbeknownst to many creators, YouTube's policy changes aren't always specific or consistently enforced. This often leaves creators perplexed about the impact of these changes on their channels. However, there are signs to watch for to avoid issues with the new YouTube algorithm if it's not working to your advantage. Read more.
The over the shoulder shot is a particular camera angle commonly used to depict two characters exchanging dialogue. For this shot, the camera is positioned behind and slightly to the side of one actor to peer over their shoulder — hence the name — towards the second actor. The result is an intimate shot that highlights the interaction between characters as they converse.
Before early filmmakers mastered the art of editing, movies were filmed in tableaus — single static shots depicting an entire scene, or even an entire narrative. This meant actors had to take a more theatrical approach to presenting dialogue. Actors in conversation couldn't face each other directly as they would in real life. Instead, they had to turn out toward the camera the same way stage actors would turn toward the audience during a play. This arrangement limited the realism and intimacy that film could achieve at the time.
Eventually, however, progressively smaller cameras and a better understanding of the power of montage converged to bring us conventions like shot reverse shot editing and, of course, the over the shoulder shot. These are the building blocks of the more natural-feeling dialogue scenes we see today. Read more.
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