| | Countering the Cinema of Action "In all film there is the desire to capture the motion of life, to refuse immobility," Agnes Varda has noted. But to capture the reality of human experience, cinema must fasten on stillness and inaction as much as motion. Slow Movies investigates movies by acclaimed international directors who in the past three decades have challenged mainstream cinema's reliance on motion and action. More than other realist art cinema, slow movies by Lisandro Alonso, Pedro Costa, Abbas Kiarostami, Alexander Sokurov, Bela Tarr, Gus Van Sant and others radically adhere to space-times in which emotion is repressed along with motion; editing and dialogue yield to stasis and contemplation; action surrenders to emptiness if not death. $27.00 $18.90Paper | 256 pages | 30 images | £18.50 | 1964: Mods clash with Rockers in Brighton, creating a moral panic. 1973: ex-Mod band The Who release Quadrophenia, a concept album following young Mod Jimmy Cooper to the Brighton riots and beyond. 1979: Franc Roddam directs Quadrophenia, a film based on Pete Townshend's album narrative; its cult status is immediate. 2013: almost fifty years on from Brighton, this first academic study explores the lasting appeal of 'England's Rebel Without a Cause'. Investigating academic, music, press, and fan-based responses, Glynn argues that the 'Modyssey' enacted in Quadrophenia intrigues because it opens a hermetic subculture to its social-realist context; it enriches because it is a cult film that dares to explore the dangers in being part of a cult.
CULTOGRAPHIES Use discount code QUAGLY at check-out Paper | 144 pages | 40 images | £10.50 | After covering the genre's early history and theorizing its general characteristics, Babington focuses on specific genres, such as the biopic, the sports history film, the documentary, and the fan film. He explores issues such as gender, race, spectacle and silent comedy. Four major films are then closely analyzed - Chariots of Fire, Field of Dreams, the Indian cricket epic Lagaan, and Oliver Stone's Any Given Sunday. While recording American film's importance to the genre, the book resists the conventional over-concentration on American and considers films from other nations. $20.00 $14.00Paper | 144 pages | 25 images | £14.00
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Keep a civil tongue.