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2015/02/10

New Titles in Film | Columbia University Press



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Seven Key Words for the Cinema to Come            


Francesco Casetti
    

 

Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand-held devices, in galleries and museums, onboard and in flight, or up in the clouds in the bits we download, cinema continues to alter our habits and excite our imaginations.

"This book is vital for anyone engaged with the transformation of the cinematic experience in the digital age." -- Charles Tryon

$30.00 $21.00
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Paper | 312 pages | £20.50
 Bollywood's India
A Public Fantasy

Priya Joshi 

Written by an award-winning scholar of popular culture and postcolonial modernity, Bollywood's India analyzes the role of the cinema's most popular blockbusters in making, unmaking, and remaking modern India. With dazzling interpretive virtuosity, Priya Joshi provides an interdisciplinary account of popular cinema as a space that filters politics and modernity for its viewers. 
 
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Paper | 216 pages | £20.50  

The Cinema of Stasis     


Justin Remes

Conducting the first comprehensive study of films that do not move, Justin Remes challenges the primacy of motion in cinema and tests the theoretical limits of film aesthetics and representation. Reading experimental films such as Andy Warhol's Empire (1964), the Fluxus work Disappearing Music for Face (1965), Michael Snow's So Is This (1982), and Derek Jarman's Blue (1993), he shows how motionless films defiantly showcase the static while collapsing the boundaries between cinema, photography, painting, and literature. 
$27.00 $18.90
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Paper | 216 pages | £18.50
     

Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics       


Julie A. Turnock

Julie A. Turnock tracks the use and evolution of special effects in 1970s filmmaking, a development as revolutionary to film as the form's transition to sound in the 1920s. Beginning with the classical studio era's early approaches to special effects, she follows the industry's slow build toward the significant advances of the late 1960s and early 1970s, which set the stage for the groundbreaking achievements of 1977.
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Paper | 384 pages | £20.50
     
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