Voices of Negritude in Modernist Print | Columbia University Press

MODERNIST LATITUDES LITERARY THEORY & CRITICISM CARIBBEAN & LATIN AMERICAN LIT Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime Carrie Noland    Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an "aesthetic subjectivity."   Blending archival research on the historical context of Negritude with theories of the lyric "voice," Noland argues that Negritude poems present a challenge to both form-based (deconstructive) theories and identity-based theories of poetic representation. Through close readings, she reveals that the racialization of the author places pressure on a lyric regime of interpretation, obliging us to reconceptualize the relation of author to text in poetries of the first person.   Modernist Latitudes $55.00 $38.50 | Cloth | 344 pages | £38.00*    USE COUPON CODE "VOINOL" AND SAVE 30%   *Customers in UK, Europe, and Middle East please contact customer@wiley.com STAY CONNECTED

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