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2015/04/08

The Great Escape: Inside the Mass Defection from CAA to UTA

April 08, 2015
The Great Escape: Inside the Mass Defection from CAA to UTA
By Cynthia Littleton, Brent Lang and Justin Kroll It may not have registered on the Richter scale, but Hollywood is still reeling from the earthquake whose epicenter originated on Avenue of the Stars last week. From the top down, CAA insiders were stunned by the mass defection of 11 agents, most of whom represent comedy talent, to smaller rival UTA. The move marked the biggest blow to CAA’s image as showbiz’s most powerful talent agency in 20 years, since the 1995 turmoil created by the departur...

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'Ex Machina' Blends VFX With Human Emotion


By Tim Gray Cinematographer Rob Hardy had more visual-effects shots in “Ex Machina” than in any previous film he’d done, but it was important to him and to writer-director Alex Garland that “it didn’t feel like a movie about visual effects.” In the film, which A24 will release on April 10, young programmer Nathan (Domhnall Gleeson) is invited to the secluded estate of a billionaire (Oscar Isaac) to evaluate the human qual-

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Alex Gibney Documentaries Take Unflinching Looks at Major Celebrities


By Peter Bart Alex Gibney, whose documentaries have garnered an Oscar and two Emmys, suddenly finds critics and audiences both admiring and attacking his latest films — all three of them. It’s hard to remember any other filmmaker, especially a documentarian, who has managed to become as prolific or as provocative. The 61-year-old Gibney surprises me for another reason, too: Each of his new docs persuaded me to change the way I think about their central charact...

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Mip 2015: High-End Dramas Replace Reality TV


By John Hopewell In the 1990s, after “Survivor,” “Pop Idol” and “Big Brother” galvanized Europe’s TV biz, the Next Big Thing was assumed to be a juggernaut reality format. Now, for Europe, it’s the next high-end drama. All over Europe, as Cannes’ Mip TV market will underscore, pay TV operators (Canal Plus and Sky), broadcasters (Italy’s Mediaset, Spain’s Atresmedia), and some of its mightiest film-TV production companies (France’s Studiocanal, Germany’s Constanti...

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